POSTURETECHNIQUECONCENTRATIONINTERPRETATIONHISTORY
and more...
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Free the movement, free the playing!
Learn how to use you body to create your sound, connect with your cello so the sound becomes your voice.This page is dedicated to posts about posture, movement, breathing, technique, and understanding the connection between the body and the mind. You will also find posts about the baroque cello and the Bach Cello Suites.
Marianne Dumas
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YOUR FAVORITES
.POSTURE
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BACH CELLO SUITES & THE BAROQUE CELLO
MANUSCRIPTS
PRACTICING
MY RECORDING
BAROQUE CELLO
GUTS STRINGS KNOTS
BOW & BOW-HOLD
UP OR DOWN?
EDITIONS
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ABOUT ME...
Teaching is part of my passion for cello and music, it is as important as performance to me.
When teaching, I see myself as a guide, giving students the tools they need to solve the challenges they encounter during their cello journey.
I work on the alliance between the body and the mind to help my students and colleagues connect with their cello so it becomes their voice. In order to let the music speak, we will free the movement by working on posture, movement, always in a musical way.
When teaching, I see myself as a guide, giving students the tools they need to solve the challenges they encounter during their cello journey.
I work on the alliance between the body and the mind to help my students and colleagues connect with their cello so it becomes their voice. In order to let the music speak, we will free the movement by working on posture, movement, always in a musical way.
My method is inspired by various methods like Alexander Technique, Feldenkrais, Yoga, Sophrology, and biomechanics studies. I also work with cellists dealing with injuries and stage fright issues.
NEW!
If you continually seek to enhance your ability to express yourself and to discover new sources of inspiration : biomechanics is for you...
What is this about?
After I finished my studies I started to analyse the way of playing of cellists in high level performance, worked with Feldenkrais instructors, physiotherapist, yoga teacher, sofrologist, in order to understand the optimal way of using our body through posture, breathing, movement, concentration.
Then, I explored the mechanics of the sound of the cello, the set up, tensions, strings in order to find the best balance between the cello and the cellist. I learnt a lot for my own playing and I am now happy to share it with people interested in this research. I teach in Berlin, online, and I give workshop and masterclass.
Marianne Dumas
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VIDEOS - QUOTES
THE DAVID RUBENSTEIN SHOW: YO-YO MA
Yo-Yo Ma quoting Casals:
"I think of myself as a human being first, a musician second, and a cellist third."
PRACTICE TIPS
WITH GIF ILLUSTRATIONS
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The informations contained in this website are based on observations and opinions from my personal experiences, it is subject to change and it is by no means any kind of absolute answer. I try my best to write in English, but I am French. Feel free to contact me in English, German, French or Spanish.
Marianne Dumas